finch: (glitch)
Jack ([personal profile] finch) wrote2025-11-07 04:04 pm

dropping balls

I ended up dropping one of my classes this term. It was a social media for business class that I added just because I thought I needed to be half time, but it ended up being an enormous time-suck. Everything had to be done in groups, but my group almost immediately fell to infighting. I got left out of email chains, the professor just told me to "trust my team leader" when I expressed concern that I'd gotten a 0 grade based on what my team leader finalized, and basically life is too short to put up with that.

It was a late drop so I've got to take the W on my paperwork but I am beyond caring.

Meanwhile Bug is getting bullied at school by some of her classmates, but the administration seems to be working hard to fix it so we're just doing our best to support her and give advice and in general like... ugh, tweens. But she also has really good days at school, and doesn't have a ton of friends but has some good ones. I'll probably make a longer post about family stuff behind a lock, if I can get my head straight long enough to put words together.

I just wanted to post something because I haven't in a bit.

nondenomifan: Kurt saying "God, please, yes!" to the Spanish sub (Ricky Martin) (text by nondenomicon)
nondenomifan (formerly angelswilliam or dfasgiles) ([personal profile] nondenomifan) wrote in [community profile] fandomcalendar2025-11-06 07:16 pm

Wicked: One Wonderful Night (TV Celebration)

NBC (USA) and Peacock streaming will have a full-movie-cast program called Wicked: One Wonderful Night tonight from 8:00pm - 10:00pm ET. It will also be available for streaming beginning tomorrow at 8:00pm on Peacock. 

If you don't get NBC where you are and haven't invested in Peacock, you can get a 7-day free trial of Peacock and shut it off as soon as you've seen the special.
marthawells: (Witch King)
marthawells ([personal profile] marthawells) wrote2025-11-05 12:19 pm

Work That Came Out in 2025

Because I've been slow to update my web site, here's a list of everything I wrote that got published in 2025.


* January Paperback compilation editions of The Murderbot Diaries novellas from Tordotcom. Vol I: All Systems Red and Artificial Condition, Vol II: Rogue Protocol and Exit Strategy, and Vol III: System Collapse and Fugitive Telemetry. Reprint.


* May The Emilie Adventures, compilation of author's preferred editions of Emilie and the Hollow World and Emilie and the Sky World, Tordotcom. Reprint.


* May "Data Ghost"

In print and ebook: Storyteller: A Tanith Lee Tribute Anthology, Editor in chief Julie C. Day, coeditors Carina Bissett and Craig Laurance Gidney, and assistant editor Julia DeRidder.

https://essentialdreams.press/books/storyteller-a-tanith-lee-tribute-anthology/

In audio and online: Pseudopod #995, Narrator Rae Lundberg, hostAlasdair Stuart, Audio Producer Chelsea Davis

https://pseudopod.org/2025/09/26/pseudopod-995-data-ghost/



* July 10 "Rapport: Friendship, Solidarity, Communion, Empathy"

Reactor Magazine, Art by Jaime Jones, edited by Lee Harris

https://reactormag.com/rapport-martha-wells/


* October 7 Queen Demon, sequel to Witch King, second book in the Rising World series. Tor Books, edited by Lee Harris, art by Cynthia Sheppard, audiobook narrated by Eric Mok

https://www.barnesandnoble.com/w/queen-demon-martha-wells/1146167707?ean=9781250826916


* There was also a TV show!

May - July Murderbot on Apple TV, produced, written, and directed by Paul and Chris Weitz, guest directors, Aurora Guerrero, Roseanne Liang, and Toa Fraser, executive producer Andrew Miano. Depth of Field, Phantom Four Films, and Paramount.

https://www.imdb.com/title/tt30444310/fullcredits/
renay: photo of the milky way from new zealand on a clear night (Default)
Renay ([personal profile] renay) wrote in [community profile] ladybusiness2025-11-05 01:29 am

Let's Get Literate! Books I Wish I Could Read for the First Time

As we end the year, I'm resisting the capitalistic urge to have my favorites list out in December for Content Reasons. Those of us dedicated to the ways of book blogging know that personal lists are best out in January because there's always a chance a book picked up in the dead space between holidays and the new year hits different. I will link to best of lists in Intergalactic Mixtape (because I am weak, and I love them), but that's it. I will not create my own!

To distract myself, while I was redoing my bookshelves, I made a list of books where I thought, "Wow, I would love to be able to read that again for the first time."

Read more... )

Since my massive reading slump in 2020, I've become a lot kinder to myself when it comes to re-reading. It's nice to spend time with familiar characters and worlds. I'm trying really hard to be gentle with my brain, which is overtaxed by the Horrors. An election year seems like the perfect time for a reread spree. It's very likely all of these books, and their companion/sequel novels, will be on my December TBR/2026 reading list.
dolorosa_12: (city lights)
a million times a trillion more ([personal profile] dolorosa_12) wrote2025-11-04 09:43 pm

October TV shows

Somewhat belatedly, let me catch up on TV logging. I watched five shows this month (although I'm cheating a bit as I only finished the fifth this evening), which were the usual mishmash of genres and tones. The shows in question were:

  • Season 3 of Blue Lights, a BBC police procedural miniseries set in Belfast. Although the characters are a familiar mix of well-worn stereotypes (the idealistic rookie, the maternal type who cares too much, the one who's joined the police in spite of a backlash from her community, the world-weary old hand, the maverick), they're written with heart and humanity. The true pleasure in this series, however, lies its sense of place — it's deeply grounded in its Belfast setting, and does a great job of showing the various political and social currents buffetting the city, and the wider region. The real villain, though, is austerity, in a way that I don't think I've seen explored so bluntly on UK TV in contemporary times.


  • A Thousand Blows, a fabulous historical miniseries by Steven Knight (the creator of Peaky Blinders), set in the East End of London in Victorian times. Here we encounter a variety of deprived, traumatised, down-on-their luck characters, who converge both in a series of boxing matches (initially bare-knuckled affairs in the local pub, later more genteel competitions organised by the aristocracy in the West End), and in a heist plot. The characters are fantastic, the writing is as lurid and melodramatic as a penny dreadful, and in essence it's a great retread of two concepts that Knight explored well in Peaky Blinders: certain people who were made to feel vulnerable and afraid become singlemindedly relentless in pursuing an existence where they will never feel fear or vulnerability again, even if they have to burn down the world and destroy all their meaningful relationships in the process, and communities battered by poverty, exploitation and lack of opportunity who accept a certain degree of violence and exploitation done to them (e.g. by gangs offering their 'protection') as long as it's people they perceive as being from their own community doing the violence. This is familiar ground for Steven Knight, and he explores it to great effect here — and hopefully in subsequent seasons!


  • Film Club, a sweet little six-part BBC miniseries about two rather lost twentysomethings who started a rather intense film club (no phones during the viewing, full thematic fancy dress, elaborate snacks, etc) during their university years and are desperately trying to keep its magic going some years after their graduation, when the realities of professional adult life have begun to wear them down. One character has had some form of psychological breakdown and moved back into the family home with her mother and sister, and remains trapped there by agoraphobia, and the other character is on the verge of leaving for a new job in a new city, and worrying how it will affect their friendship. It's a sweet-natured love story, with teeth, and in spite of a somewhat cinematic sense of heightened reality, the depiction of quarter life crisis existential angst is grounded in a truth that resonates a bit too much.


  • The latest season of Only Murders in the Building, which I thought was a massive return to form. This time, our trio of true crime podcast sleuths investigate the death of their apartment complex's doorman, which inevitably uncovers sometime much bigger, managing to skewer local New York politics (prior to today's election), oligarchy, housing pressures, and more. My patience with this series had been wearing thin two seasons ago, and I felt it was fast approaching over-milked cash cow territory, so I'm delighted to have been proved wrong. Your patience for this latest outing will probably hinge on your tolerance for New York (and New Yorker fiction about New York) nonsense, which it continues to lampoon with affection.


  • Riot Women, Sally Wainwright's latest love letter to the north of England and the strong, complex women who live there — this time, our cast of characters are a multigenerational group of misfits who start an all-woman punk band, with songs about menopause, feeling invisible and underappreciated, and so on. All of them are dealing with struggles at once soap operatic and banal: family tensions, empty-nested loss of sense of purpose, sandwiched pressure between troubled adult children and elderly parents in nursing homes, or showing early signs of dementia. Women's invisible labour is front and centre, but also women's anger, turned inwards and outwards. As always with Wainwright, the characters feel painfully real, and she does an incredible job of capturing the stories of the types of older women working ceaselessly (and often without much acknowledgement) upholding messy, multigenerational family households, doing all the work that no one ever notices, but whose absence would certainly be noticed. It's an absolute masterpiece — with an incredible soundtrack. (And, since this is not always a given with ostensibly feminist British cultural figures, it was fantastic to have unambiguous confirmation that Sally Wainwright's feminism is most definitely trans-inclusive.)


  • I don't think there was a single dud in this collection of shows!
    patrokla: I know writers who use subtext and they're all cowards! (Default)
    patrokla ([personal profile] patrokla) wrote in [community profile] yuletide2025-11-03 04:07 pm

    Yuleswaps 2025: ALL MATCH-UPS SENT!

    Here we go. Please watch this post! We will update here as each batch goes out:

    Candy? SENT as of 6:47 PM PST 11/4!

    Drinks? SENT (twice, lol) as of 6:51 PM PST 11/3!

    Books? SENT as of 6:39 PM PST 11/3!


    INSTRUCTIONS & REMINDERS )


    SENDING DEADLINE: Friday, November 21, 2025


    Extensions/Defaulting: Pre-research your post office/courier service hours, and plan to send as early as you can! BUT if your best-laid plans fail, and you need an extension -- we get it! Please bypass the shame spiral and email us ASAP. We want to know what's going on but rarely hesitate to grant brief extensions, especially to historically reliable swappers.

    And, of course, if you need to default for any reason, the above is doubly true!! Life happens, but if you let us know as soon as it does, we can help out your recipient AND probably have you back next year with minimal anxiety.


    One More Time: don't forget to check in at Swaps Central! And a safe, merry Swapstide to all!

    Current FAQ and very old resources post here, for anyone who needs them. Questions and comments here or via email, as always.

    Kat & Livi & Helen
    runpunkrun: combat boot, pizza, camo pants = punk  (punk rock girl)
    Punk ([personal profile] runpunkrun) wrote in [community profile] fandomcalendar2025-11-03 07:15 am

    Fancake Theme for November: Mystery & Suspense

    Moody photograph of the ocean from an outlook. In the foreground, two dirty hands claw their way up over the edge toward the viewer. Text: Mystery & Suspense, at Fancake.
    [community profile] fancake is a thematic recommendation community where all members are welcome to post recs, and fanworks of all shapes and sizes are accepted. Check out the community guidelines for the full set of rules.

    This theme runs for the entire month. If you have any questions, just ask!
    dolorosa_12: (fever ray)
    a million times a trillion more ([personal profile] dolorosa_12) wrote2025-11-02 04:55 pm

    In the sounds of then and now, we lose ourselves

    I survived the busiest time of the year at work! All of my timetabled start-of-the-academic-year classes are done, I've reassured the first round of stressed out postgraduate students that they are capable of the research skills expected of them, and after this week, the remainder of the busyness is no longer my responsibility. It's felt easier than it has done in years, due to the fact that I actually have a full complement of colleagues to share the load.

    Although I don't tend to do much in the way of Halloween, this weekend ended up being one of dust and echoes, haunting and memory, and light and warmth against the turn towards winter almost unintentionally. We didn't get any trick-or-treaters, but I've had candles lit almost constantly since Friday night, and I spent a pleasant half-hour last night watching the fireworks (in advance of 5 November) from the guest bedroom window. This annual event has a whole capitalistic carnival apparatus around it — the hill (usually a public park) from which the fireworks can be viewed is cordoned off, accessible only with a fee, there are fairground-type stalls, and so on. The fact that you have to pay to get in, and that it's cold, always puts me off, and this year I felt more smug than usual at this decision, as it also rained heavily for about an hour before the fireworks began. Far better to watch for free from my warm house!

    I've been doing all the normal maintenance activities of the weekend — two hours at classes in the gym yesterday, followed by market lunch, 1km in the pool this morning, coffee and bookshop browsing and a drink in the courtyard garden of the best bar in town today — plus trying to get the garden ready to hibernate over winter. The fact that half the plants are still flowering in November is impeding this somewhat, but I can hardly be annoyed at raised beds still filled with a riot of cornflowers, hollyhocks, nasturtiums, marigolds and dahlias.

    In addition to all that, I worked on this year's Yuletide assignment, and made good progress.

    Other cool things: [personal profile] goodbyebird has set up a new comm, [community profile] rec_cember. As per the description of the comm, it involves:

    [a] month long reccing event for December. Let's recommend some fanworks! Let's appreciate and comment on those fanworks!


    This weekend's (re)reading was deliberately seasonal: the annual The Grey King (Susan Cooper) reread on Friday, and A Lane to the Land of the Dead (Adèle Geras) yesterday. The former remains as exquisite and devastating as ever, the latter was a reminder to me of Geras's versatility as an author: an accomplished collection of ghost stories, set in various parts of Manchester in the mid-1990s (contemporary to the time at which she was writing), with an incredible sense of place. I first visited the city in the 2020s, so never encountered it in the decaying, collapsing, impoverished state that Geras depicts, but she makes it come alive. This after I first encountered Geras as a writer of historical children's fiction, and of YA fairytale retellings set in a British girls' boarding school in the 1960s. Both books, in very different ways, understand haunting not only as the supernatural (although of course this is a strong presence) but also in land, and the built environment, and the memories they retain and transmit, and the bitterness people carry and refuse to let go. I'm glad I chose to read both at the time I did.
    pendulumscale: (MB icon)
    whimwitch ([personal profile] pendulumscale) wrote in [community profile] fandomcalendar2025-11-01 09:10 am

    Yugioh: YGO Rare Pairs Mini Bang - Sign ups open!


    Links: | Mastodon | Bsky | AO3 | [community profile] ygorarepairs 

    Description: This event focuses on rare pair ships for all Yugioh series (including crossovers), open to writers, artists, and image & video editors. We use tiered rulings to determine rarity for this event based on ao3 statistics. See our FAQ for more info on rarity requirements.


    For this year's mini bang, writers will draft a fic for their chosen rare pair, meeting the 4000 word minimum. Then artists will claim at least 1 fic to use as inspiration for their artPartners will collaborate and share their fanworks together during the posting period for this event. Please read our specifications page for more details about expectations for event works.


    Sign up to participate with this link: https://forms.gle/1gRezet2nT4j5oEP6


    Dates (see Schedule for more info):

    • Signups: Nov 1-Nov 30 (writers may start immediately)
    • Check-in #1 (writers only): Dec 21-23
    • Check-in #2 (writers with claim pitch): Jan 30-Feb 1
    • Claims: Feb 2-6
    • Claims assigned: Feb 7/8
    • Artist WIP share: Feb 20-21
    • Check-in #3 (all participants): Mar 6-7
    • Posting prep: Mar 12-14
    • Posting: Mar 15-Apr 4
    Collaborative banner by whimwitch, VioVayo, Meda Princess, lucienslab, and sturionic! Thanks for your help with this ❤️.